While I'm working on the first installment of Immortal Childhood, I'm posting the first installment of a different story:
Muse-Auteur Relations
Determined to be the first female film auteur, Vivienne has abandoned her mother's jet-setting life-style in favor of moving to Chicago, where she will sit still for a year, and make a film for her application to NYU's film school. Her search for a muse ends unexpectedly in biology class, where she finds quiet, inquisitive Natasha, whose life and demeanor could not be any more different than Vivienne's. But now that Vivienne has her muse, will she know what to do with her?
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